In a new monthly online column, sound recordist Alan Hill runs us through some of the issues facing the working audio professional. First up, how to deal with the overabundance of choice when buying new kit.
South London's Wired Masters has installed a pair of PMC MB2 XBD-Active monitors in its second mixing/mastering suite. PMC MB2 XBD-As are also in storage pending completion of a third mastering room.
Bastille’s current European and US tour is proving successful, with Sennheiser microphones and in-ear monitors playing an integral part in their sonic achievements.
Almost a year after it was first announced, ‘the ‘next-generation mixer’
is finally available. Alan Branch finds out if it was worth the wait.
Stephen Bennett takes a look at Waves’ recent offering to see how close it comes to recreating the vibe of Abbey Road in the 60s, and what it can offer to today’s productions.
Rob Tavaglione investigates whether Neumann’s typical high quality translates from the beginning to the end of the signal chain.
Simon Tillbrook walks us through RME’s new powerful, yet unassuming audio interface.
Can Sennheiser’s new collaboration with LimitEar really provide a safer
headphone solution while maintaining sound quality? Alistair McGhee
The top producer has installed Barefoot Sound MM27 monitors in his new Nashville studio in the famed Berry Hill neighbourhood
For the first time ever, the Winter X Games used a fibre optic system with a Soundcraft Vi1 at the core
The 136th Audio Engineering Society Convention (Saturday, 26 April, through Tuesday, 29 April, 2014, at the Estrel Hotel and Convention Center in Berlin, Germany) will feature a rich Technical Program and a tutorial on audio forensics.